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For most of the past of cinema and television, women's place in the canon – as creators, as directors, as subjects, as viewers, as ratings and box office draws – was defined by its rarity. Men were the default: the default audience, the default option protagonists, the default fictive leaders. But 2017 – in many ways a satanic year, in other ways a hell of a year, for women – has witnessed a sea change in the pretended standard signification of view.